aeons_crackshot (
aeons_crackshot) wrote2010-03-13 08:12 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
AU: Chicago 1926
Eventually, the jungle was left behind and the FreakAngels and the members of the Æon Society made their way to Æon's headquarters in Chicago.
The headquarters looks, to the casual observer, much like the home of someone who is very well to do. It is, of course. Maxwell Anderson Mercer is a very wealthy man, philanthropist or no, after all. It's only when you look deeper and realize how solidly built the place is and that certain extra security measures are in place that it begins to reveal itself for what it is.
Namely, the home base of people who, not to put too fine a point on it, quite a lot of dangerous people want dead.
There is an island of calm in the hustle and bustle, the Archives. Every piece of research, every note, every adventure of the Society's members is in here...somewhere.
The headquarters looks, to the casual observer, much like the home of someone who is very well to do. It is, of course. Maxwell Anderson Mercer is a very wealthy man, philanthropist or no, after all. It's only when you look deeper and realize how solidly built the place is and that certain extra security measures are in place that it begins to reveal itself for what it is.
Namely, the home base of people who, not to put too fine a point on it, quite a lot of dangerous people want dead.
There is an island of calm in the hustle and bustle, the Archives. Every piece of research, every note, every adventure of the Society's members is in here...somewhere.
no subject
"Huh. Well, I suppose that's not too surprising." Annabelle knows she's pretty, she just doesn't feel the need to dwell on it at all.
"Poor fellow, I wonder if the stammer is why he's in journalism. You can't stammer with a typewriter..."
She hasn't made the connection between the attraction and the stuttering, as it's rather foreign to her own nature. Annabelle tends to confront things head on and metaphorical guns blazing, most of the time.
no subject
"Guess you never noticed the effect you have on guys?"
no subject
"No, I suppose I haven't," she admits. She's spent most of her life trying to prove that she's as tough or tougher than any man, thank you. This has not lent itself to exploits of a romantic nature.
no subject
no subject
The 1920s is not an era for gender equality, by any means.
no subject
Think Connor, think instead of blushing!
no subject
no subject
...
"Funny how it is easier around the others. More natural, to not only speak but also to talk mind to mind."
no subject
She ponders his second statement. "Their minds are probably quieter, more organized," Annabelle guesses. "If you can hear other people's thoughts, you might think more about your own?"
no subject
no subject
"Have you seen much of the city yet?" she asks, curious.
no subject
no subject
The fact that she thinks he's kind of cute has nothing whatsoever to do with this decision, really, we swear!
no subject
no subject
Annabelle's usual attire isn't precisely typical for a woman her age either, but, frankly, she does not care.
no subject
Ten minutes later, he is by the front door.
no subject
"Ready to go?" she asks.
The scene out the front door will look a lot like this.
no subject
Yeah, the city is a city, not too strange, but the people all dress weird.
Of course, if asked, they would say it's Connor and Annabelle dressing weird, right?
no subject
"I suspect you'd like the library," Annabelle says with a smile. "It's a beautiful building on the inside."
Eventually, they'll make their way here.
no subject
Connor will be mostly quiet on the way to the building.
no subject
Damn it, less than 5 minutes in and she's already messing this up.
no subject
"People staring usually happened before someone started screaming bloody murder."
no subject
"I should have thought of that," Annabelle says with a frown. "We can head somewhere with fewer people?"
no subject
no subject
"Or tame the fear rather than let it devour you," Annabelle says with a wry smile. "I've had to do that, myself." There is a reason she's armed all the time, you see.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)